patricianandclerk:

i’m going lowkey feral about the premise of the cabin pressure crossover. so many potential dynamics here.

firstly, the idea of gertrude meeting carolyn? the nastiness of that interaction with one another, two women with the biggest control issues IN THE WORLD, and who are capable of being so, so, so full of acid? incredible. unfathomable. i love everything about it.

the idea of michael??? shy, eager to please, a little uncertain, who the institute has been sending on international trips, this tall, pretty boy who’s just a little bit awkward whose institute keeps sending him places, alone, on a private plane, where he comes back shaking and uncertain

gerard keay! sprawling out and chatting contentedly with arthur the whole time he’s on GERTI, although he’s always a little awkward with carolyn, and tends to be Uncomfortable™ when carolyn has a go at arthur

elias bouchard who went to university at the same time as douglas was in university, absolutely dealt him weed, and douglas now has to talk to this guy who is fucking NOTHING like the guy he was at university, but hey, douglas has changed a whole lot too, tbf

jon who’s just. so fucking nasty to martin crieff, which means that douglas will step in to be nasty to jon, which means that martin blackwood, who has been quiet the entire time, will now be so nasty to douglas that douglas goes quiet for like, an hour, altho tbf martin would probably apologise after a while

entities trying to fuck with arthur and not being able to bc he’s just too cheerful; martin c accidentally becoming an avatar bc he angrily tells an entity to fuck off when he gets flustered? 

simon fairchild getting fuckin owned

WAIT, ARTHUR DATING “THIS NICE MAN” WITH A LIGHTNING SCAR AND IT’S MICHAEL CREW

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